Chercher un prénom On Gilles and his confusion with Pierrot, see Storey, Both in Piron, IV; Storey translates a scene from, Both masked and unmasked characters of the. " Casorti's son, Giuseppe (1749–1826), had undoubtedly been impressed by the Pierrots they had seen while touring France in the late eighteenth century, for he assumed the role and began appearing as Pierrot in his own pantomimes, which now had a formulaic structure (Cassander, father of Columbine, and Pierrot, his dim-witted servant, undertake a mad pursuit of Columbine and her rogue lover, Harlequin). Champfleury (Jules-François-Félix Husson, called Fleury, called) (1859). Pierrot, usually in the company of Pierrette or Columbine, appears among the revelers at many carnivals of the world, most notably at the festivities of Uruguay. Join Facebook to connect with Bushala Pierrot and others you may know. Facebook gives people the power to share and makes the world more open and connected. [54] In this he was abetted by the novelist and journalist Champfleury, who set himself the task, in the 1840s, of writing "realistic" pantomimes. Join Facebook to connect with Pierrot Nkaya and others you may know. Their countryman the poet Albert Giraud also identified intensely with the zanni: the fifty rondels of his Pierrot lunaire (Moonstruck Pierrot [1884]) would inspire several generations of composers (see Pierrot lunaire below), and his verse-play Pierrot-Narcissus (1887) offered a definitive portrait of the solipsistic poet-dreamer. In the England of the Aesthetic Movement, Pierrot figured prominently in the drawings of Aubrey Beardsley; various writers--Henry Austin Dobson, Arthur Symons, Olive Custance--seized upon him for their poetry ("After Watteau" [1893], "Pierrot in Half-Mourning" [1896], "Pierrot" [1897], respectively); and Ernest Dowson wrote the verse-play Pierrot of the Minute (1897, illustrated by Beardsley). Mon ami Pierrot, Prête-moi ta plume Pour écrire un mot. Total des naissances pour le patronyme GASSION-PIERROT : 1891 - 1915 : 1916 - 1940 : 1941 - 1965 : 1 1966 - 1990 : 1 personnes nées en France depuis 1890, dans 1 départements 2. Le nom Pierrot figure au 1 334er rang des noms les plus portés en France. [15] He acquires there a very distinctive personality. It was found to be "pleasing" because, in part, it was "odd". In 1891, the singer and banjoist Clifford Essex, inspired by Michel Carré fils' pantomime L'Enfant prodigue (Pierrot the Prodigal [1890]), which he had seen at the Prince of Wales' Theatre in London,[76] resolved to create a troupe of English Pierrot entertainers. He was an embodiment of comic contrasts, showing, imperturbable sang-froid [again the words are Gautier's], artful foolishness and foolish finesse, brazen and naïve gluttony, blustering cowardice, skeptical credulity, scornful servility, preoccupied insouciance, indolent activity, and all those surprising contrasts that must be expressed by a wink of the eye, by a puckering of the mouth, by a knitting of the brow, by a fleeting gesture. [38] The formula has proven enduring: Pierrot is still a fixture at Bakken, the oldest amusement park in the world, where he plays the nitwit talking to and entertaining children, and at nearby Tivoli Gardens, the second oldest, where the Harlequin and Columbine act is performed as a pantomime and ballet. His physical insularity; his poignant lapses into mutism, the legacy of the great mime Deburau; his white face and costume, suggesting not only innocence but the pallor of the dead; his often frustrated pursuit of Columbine, coupled with his never-to-be-vanquished unworldly naïveté--all conspired to lift him out of the circumscribed world of the commedia dell'arte and into the larger realm of myth. It was a generally buffoonish Pierrot that held the European stage for the first two centuries of his history. (Monti would go on to claim his rightful fame by celebrating another spiritual outsider, much akin to Pierrot--the Gypsy. Signification Numérologique Numérologie du prénom Pierrot : calculez les principaux nombres et découvrez l'analyse de votre profil numérologique et vos traits de personnalité. [51], Deburau's son, Jean-Charles (or, as he preferred, "Charles" [1829–1873]), assumed Pierrot's blouse the year after his father's death, and he was praised for bringing Baptiste's agility to the role. Interpretation Translation  pierrot. As for fiction, William Faulkner began his career as a chronicler of Pierrot's amorous disappointments and existential anguish in such little-known works as his play The Marionettes (1920) and the verses of his Vision in Spring (1921), works that were an early and revealing declaration of the novelist's "fragmented state". A pantomime produced at the Funambules in 1828, The Gold Dream, or Harlequin and the Miser, was widely thought to be the work of Nodier, and both Gautier and Banville wrote Pierrot playlets that were eventually produced on other stages--Posthumous Pierrot (1847) and The Kiss (1887), respectively. Švehla, Jaroslav (1977). The title of choreographer Joseph Hansen's 1884 ballet, Macabre Pierrot, created in collaboration with the poet Théo Hannon, summed up one of the chief strands of the character's persona for many artists of the era. [182] It has been translated into still more distant media by painters, such as Paul Klee; fiction-writers, such as Helen Stevenson; filmmakers, such as Bruce LaBruce; and graphic-novelists, such as Antoine Dodé. Pierrot and his fellow masks were late in coming to the United States, which, unlike England, Russia, and the countries of continental Europe, had had no early exposure to commedia dell'arte. (Pierrots were legion among the minor, now-forgotten poets: for samples, see Willette's journal The Pierrot, which appeared between 1888 and 1889, then again in 1891.) (See also Pierrot lunaire below. Découvrez son caractère, son origine, sa fête, son étymologie et le nombre de Pierrot nés chaque année. Not until the first decade of the next century, when the great (and popular) fantasist Maxfield Parrish worked his magic on the figure, would Pierrot be comfortably naturalized in America. Chaplin alleges to have told Mack Sennett, after first having assumed the character, You know, this fellow is many-sided, a tramp, a gentleman, a poet, a dreamer, a lonely fellow, always hopeful of romance and adventure. Lecture at the Italian Institute in London, 1950; cited in Storey. The format of the lists that follow is the same as that of the previous section, except for the Western pop-music singers and groups. The Naturalists--Émile Zola especially, who wrote glowingly of them--were captivated by their art. Among the most celebrated of pantomimes in the latter part of the century would appear sensitive moon-mad souls duped into criminality--usually by love of a fickle Columbine--and so inevitably marked for destruction (Paul Margueritte's Pierrot, Murderer of His Wife [1881]; the mime Séverin's Poor Pierrot [1891]; Catulle Mendès' Ol' Clo's Man [1896], modeled on Gautier's "review"). [90] (The Canadian poet Bliss Carman should also be mentioned for his contribution to Pierrot's dissemination in mass-market publications like Harper's. Rolfe, Bari (1978). Pierrot, in an unprecedentedly tragic turn of events, dies from the wound. Summer issue, 1896; cited in Margolin, p. 37. And one of the last great mimes of the century, Georges Wague (1875-1965), though he began his career in Pierrot's costume, ultimately dismissed Baptiste's work as puerile and embryonic, averring that it was time for Pierrot's demise in order to make way for "characters less conventional, more human." For an exhaustive account of the Hanlons' appearances in America (and elsewhere), see Mark Cosdon. pierrot. Even the embryonic art of the motion picture turned to Pierrot before the century was out: he appeared, not only in early celluloid shorts (Georges Méliès's The Nightmare [1896], The Magician [1898]; Alice Guy's Arrival of Pierrette and Pierrot [1900], Pierrette's Amorous Adventures [1900]; Ambroise-François Parnaland's Pierrot's Big Head/Pierrot's Tongue [1900], Pierrot-Drinker [1900]), but also in Emile Reynaud's Praxinoscope production of Poor Pierrot (1892), the first animated movie and the first hand-colored one. Bushala Pierrot is on Facebook. Harlequinade (1900), its libretto and choreography by Marius Petipa, its music by Riccardo Drigo, its dancers the members of St. Petersburg's Imperial Ballet. As the diverse incarnations of the nineteenth-century Pierrot would predict, the hallmarks of the Modernist Pierrot are his ambiguity and complexity. Au clair de la lune, mon ami Pierrot, Prête-moi ta plume, pour écrire un mot. Le Nombre actif qui correspond à ce prénom est 11. )[98], Another pocket of North-American sympathy with the Decadence—one manifestation of what the Latin world called modernismo—could be found in the progressive literary scene of Mexico, its parent country, Spain, having been long conversant with the commedia dell'arte. [Il est le Pedrolino (« Petit Pierre ») de la comédie italienne du xvi e s. À ce Pierrot parlant a succédé au xix e s. le Pierrot muet de la pantomime, créé par G. [39] This will be the home, beginning in 1816, of Jean-Gaspard Deburau (1796–1846),[40] the most famous Pierrot in the history of the theater, immortalized by Jean-Louis Barrault in Marcel Carné's film Children of Paradise (1945). But French mimes and actors were not the only figures responsible for Pierrot's ubiquity: the English Hanlon brothers (sometimes called the Hanlon-Lees), gymnasts and acrobats who had been schooled in the 1860s in pantomimes from Baptiste's repertoire, traveled (and dazzled) the world well into the twentieth century with their pantomimic sketches and extravaganzas featuring riotously nightmarish Pierrots. But it importantly marked a turning-point in Pierrot's career: henceforth Pierrot could bear comparisons with the serious over-reachers of high literature, like Don Juan or Macbeth; he could be a victim—even unto death—of his own cruelty and daring. "[24] (For a typical farce by Lesage during these years, see his Harlequin, King of Serendib of 1713.) [83] Its libretto, like that of Monti's "mimodrama" Noël de Pierrot a.k.a. Their countryman the poet Albert Giraud also identified intensely with the zanni: the fifty rondels of his Pierrot lunaire (Moonstruck Pierrot [1884]) would inspire several generations of composers (see Pierrot lunaire below), and his verse-play Pierrot-Narcissus (1887) offered a definitive portrait of the solipsistic poet-dreamer. [42] He was often the servant of the heavy father (usually Cassander), his mute acting a compound of placid grace and cunning malice. Besides making him a valet, a roasting specialist, a chef, a hash-house cook, an adventurer, [Lesage] just as frequently dresses him up as someone else." In that same year, 1800, a troupe of Italian players led by Pasquale Casorti began giving performances in Dyrehavsbakken, then a well-known site for entertainers, hawkers, and inn-keepers. In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics' store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules. Bien que la pleine Lune soit associée au fantastique et aux créatures de la nuit, le croissant de Lune, lui, est avant tout un symbole positif et rassurant. However, he is not above picking up cigarette butts or robbing a baby of its candy. In a more bourgeois vein, Ethel Wright painted Bonjour, Pierrot! Pierrot \pje.ʁo\ ou \pjɛ.ʁo\ masculin (pour une femme on dit : Pierrote) 1. Inspired by the French Symbolists, especially Verlaine, Rubén Darío, the Nicaraguan poet widely acknowledged as the founder of Spanish-American literary Modernism (modernismo), placed Pierrot ("sad poet and dreamer") in opposition to Columbine ("fatal woman", the arch-materialistic "lover of rich silk garments, golden jewelry, pearls and diamonds") in his 1898 prose-poem The Eternal Adventure of Pierrot and Columbine. pierrot, interprétation de rêve. Personnage de la comédie italienne, qui passa dans le théâtre français, puis dans la pantomime (avec une majuscule). He was the naïve butt of practical jokes and amorous scheming (Gautier); the prankish but innocent waif (Banville, Verlaine, Willette); the narcissistic dreamer clutching at the moon, which could symbolize many things, from spiritual perfection to death (Giraud, Laforgue, Willette, Dowson); the frail, neurasthenic, often doom-ridden soul (Richepin, Beardsley); the clumsy, though ardent, lover, who wins Columbine's heart, or murders her in frustration (Margueritte); the cynical and misogynistic dandy, sometimes dressed in black (Huysmans/Hennique, Laforgue); the Christ-like victim of the martyrdom that is Art (Giraud, Willette, Ensor); the androgynous and unholy creature of corruption (Richepin, Wedekind); the madcap master of chaos (the Hanlon-Lees); the purveyor of hearty and wholesome fun (the English pier Pierrots)--and various combinations of these. (Some critics have argued that Pierrot stands behind the semi-autobiographical Nick Adams of Faulkner's fellow-Nobel laureate Ernest Hemingway, and another contends that James Joyce's Stephen Dedalus, again an avatar of his own creator, also shares the same parentage.). It was in part through the enthusiasm that they excited, coupled with the Impressionists' taste for popular entertainment, like the circus and the music-hall, as well as the new bohemianism that then reigned in artistic quarters like Montmartre (and which was celebrated by such denizens as Adolphe Willette, whose cartoons and canvases are crowded with Pierrots)--it was through all this that Pierrot achieved almost unprecedented currency and visibility towards the end of the century. And, of course, if the occasion warrants it, he will kick a lady in the rear—but only in extreme anger![121]. Gratuit. He was a key figure in every art-form except architecture. The action unfolded in fairy-land, peopled with good and bad spirits who both advanced and impeded the plot, which was interlarded with comically violent (and often scabrous) mayhem. And when film arrived at a pinnacle of auteurism in the 1950s and '60s, aligning it with the earlier Modernist aesthetic, some of its most celebrated directors--Bergman, Fellini, Godard--turned naturally to Pierrot. The appeal of the mask seems to have been the same that drew Craig to the "Über-Marionette": the sense that Pierrot was a symbolic embodiment of an aspect of the spiritual life--Craig invokes William Blake--and in no way a vehicle of "blunt" materialistic Realism. It would set the stage for the later and greater triumphs of Pierrot in the productions of the Ballets Russes. ... without the least proof": Fournier. The broad satirical streak in Lesage often rendered him indifferent to Pierrot's character, and consequently, as the critic Vincent Barberet observes, "Pierrot is assigned the most diverse roles . The broad satirical streak in Lesage often rendered him indifferent to Pierrot's character, and consequently, as the critic Vincent Barberet observes, "Pierrot is assigned the most diverse roles . The pantomime under "review" was Gautier's own fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol’ Clo's Man [1842], in which Deburau probably appeared[49]—and also inspired Barrault's wonderful recreation of it in Children of Paradise). In the last year of the century, Pierrot appeared in a Russian ballet, Harlequin's Millions a.k.a. Free shipping for many products! Un des pierrots était à ses côtés. Obviously inspired by these troupes were the Will Morris Pierrots, named after their Birmingham founder. In a similarly (and paradoxically) revealing spirit, the painter Paul Hoecker put cheeky young men into Pierrot costumes to ape their complacent burgher elders, smoking their pipes (Pierrots with Pipes [c. 1900]) and swilling their champagne (Waiting Woman [c. 1895]). In that year, Gautier, drawing upon Deburau's newly acquired audacity as a Pierrot, as well as upon the Romantics’ store of Shakespearean plots and of Don-Juanesque legend, published a "review" of a pantomime he claimed to have seen at the Funambules. )[112], In music, historians of Modernism generally place Arnold Schoenberg's 1912 song-cycle Pierrot lunaire at the very pinnacle of High-Modernist achievement. Définition de pierrot dans le dictionnaire français en ligne. In Germany, Frank Wedekind introduced the femme-fatale of his first "Lulu" play, Earth Spirit (1895), in a Pierrot costume; and when the Austrian composer Alban Berg drew upon the play for his opera Lulu (unfinished; first perf. Ma chandelle est morte, Je n'ai plus de feu ; Ouvre-moi ta porte,Pour l'amour de Dieu… But most frequently, since his reincarnation under Jean-Gaspard Deburau, he wears neither collar nor hat, only a black skullcap. For an account of the English mime troupe The Hanlon Brothers, see France above. An Italian company was called back to Paris in 1716, and Pierrot was reincarnated by the actors Pierre-François Biancolelli (son of the Harlequin of the banished troupe of players) and, after Biancolelli abandoned the role, the celebrated Fabio Sticotti (1676–1741) and his son Antoine Jean (1715–1772). Ajoutez : 6. être gai comme Pierrot, être d'humeur joyeuse. [20], His real life in the theater in the eighteenth century is to be found on the lesser stages of the capital, at its two great fairs, the Foires Saint-Germain and Saint-Laurent. Origine, signification, caractère des Pierrot, popularité... Découvrez toutes les infos sur le #prenom Pierrot [84] (Monti would go on to acquire his own fame by celebrating another spiritual outsider much akin to Pierrot—the Gypsy. But the pantomime that had the greatest appeal to his public was the "pantomime-arlequinade-féerie", sometimes "in the English style" (i.e., with a prologue in which characters were transformed into the commedia types). Tout sur le prénom Pierrot : des chiffres importants, des idées de prénoms associés ainsi que l'évolution des naissances de bébés portant ce prénom. Like the earlier masks of commedia dell'arte, Pierrot now knew no national boundaries. [113] And in ballet, Igor Stravinsky's Petrushka (1911), in which the traditionally Pulcinella-like clown wears the heart of Pierrot,[114] is often argued to have attained the same stature.[115]. "'Marked you that? Performi… A passionately sinister Pierrot Lunaire has even shadowed DC Comics' Batman. He is a film critic, screenwriter, film director, and jazz author. Prénom Pierrot : signification, étymologie, origine, fête Multiple works by artists are listed chronologically. "The Translations." "[119] In her own notes to Aria da Capo, Edna St. Vincent Millay makes it clear that her Pierrot is not to be played as a cardboard stock type: Pierrot sees clearly into existing evils and is rendered gaily cynical by them; he is both too indolent and too indifferent to do anything about it. It appears in an appendix in Moore, pp. For Jules Janin and Théophile Gautier, Pierrot was not a fool but an avatar of the post-Revolutionary People, struggling, sometimes tragically, to secure a place in the bourgeois world. A variety of Pierrot-themed items, including figurines, jewelry, posters, and bedclothes, are sold commercially. In not a few of the early Foire plays, Pierrot's character is therefore "quite badly defined." As the entries below tend to testify, Pierrot is most visible (as in the eighteenth century) in unapologetically popular genres--in circus acts and street-mime sketches, TV programs and Japanese anime, comic books and graphic novels, children's books and young adult fiction (especially fantasy and, in particular, vampire fiction), Hollywood films, and pop and rock music. Alexandre Dumas, ur. A variety of Pierrot-themed items, including figurines, jewelry, posters, and bedclothes, are sold commercially. Costa's pantomime L'Histoire d'un Pierrot (Story of a Pierrot), which debuted in Paris in 1893, was so admired in its day that it eventually reached audiences on several continents, was paired with Cavalleria Rusticana by New York's Metropolitan Opera Company in 1909, and was premiered as a film by Baldassarre Negroni in 1914. [94] So uncustomary was the French Aesthetic viewpoint that, when Pierrot made an appearance in Pierrot the Painter (1893),[95] a pantomime by Alfred Thompson, set to music by the American composer Laura Sedgwick Collins, The New York Times covered it as an event, even though it was only a student production. Such a figure was Stuart Merrill, who consorted with the French Symbolists and who compiled and translated the pieces in Pastels in Prose. Popularité du prénom Pierrot. SUPPLÉMENT AU DICTIONNAIRE. 1.1. (The Canadian poet Bliss Carman should also be mentioned for his contribution to Pierrot's dissemination in mass-market publications like Harper's.) XVIe s. — Et ainsi print congé, gay comme Pierot (BONAV. The pantomime under "review" was a fabrication (though it inspired a hack to turn it into an actual pantomime, The Ol' Clo's Man [1842], in which Deburau probably appeared--and also inspired Barrault's wonderful recreation of it in Children of Paradise). In 1673, probably inspired by Molière's success, the Comédie-Italienne made its own contribution to the Don Juan legend with an Addendum to "The Stone Guest", which included Molière's Pierrot. "[92] And yet the Pierrot of that species was gaining a foothold elsewhere. For a full account of the struggle of the fair theaters to survive despite official opposition, see Bonnassies. Signification éditée par l’Académie Française, année 1986. Vérifiez les traductions 'pierrot' en Grec. [61] Moreover, he acquired a counterpart, Pierrette, who rivaled Columbine for his affections. ), In 1895, the playwright and future Nobel laureate Jacinto Benavente wrote rapturously in his journal of a performance of the Hanlon-Lees,[85] and three years later he published his only pantomime: ‘’The Whiteness of Pierrot’’.